Maybe it was actually a thoughtless character in a senseless script. He probably tried to show an utterly complex character of Disha, who while going through several criminal reforms, developed a criminal side of her own that made her pass cheesy lines to Dev in an attempt to heal the sorrow which she feels inside.Īll this while driving her fancy car, throwing all the parties in the world and proposing to the boy love on top of Qutub Minar with an ugly chroma in the background. Instead it’s better to waste some writing space on the talent shown by Shaad Ali. The less said about Parineeti Copra, the better. Or maybe there was no script, after all.īeware Ali, wrong choices of films have ruined many careers before yours.Īli Zafar in a scene from 'Kill Dil'. But in Kill Dil he looks embarrassed because deep inside, he knows he should not have accepted this role, at least not without reading the script. Tere Bin Laden was good and even London, Paris, New York was acceptable. I like Ali Zafar and appreciate his talent. It could have been Harman Baweja or Jacky Bhangnani for that matter and it would not have made any difference to anyone, including Ali. Once this mystery is resolved, we will be able to pinpoint the real culprit.Īli Zafar and Ranveer Singh in a scene from 'Kill Dil'. The question still remains whether he was asked by the director to cry the way he did and show his emotional side or whether it was his own improvisation. He has a couple of good scenes like the library scene in which he explores the meaning of LOL and ROFL or the itching scene with Ali. One might ask why because he clearly didn’t need to and should have known that his hard work will not be able to salvage the film. From the onset, he seems to be continuing the role he played in Gunday with a little less upper body on display. Ranveer Singh has worked very hard for this film. In Bhaiyya Ji’s kingdom, skipping food is a crime that deserves death penalty.
Too bad that it’s not a girl student and instead a brutal hit man. Govinda has shown the temperament of a hostel warden who gets angry if a girl student bypasses curfew. Very obviously, both of them have not agreed with the choices made by the casting director. In some places Govinda has looked more bored while in others Ali Zafar has outdone Govinda in looking uninterested in what’s going on around him. Govinda and Ali Zafar have given each other a tough time in that contest. Kill Dil is a contest of showing who is more bored in the entire cast. Nitesh Tiwari wrote 'Chillar Party' for kids and probably expected the same kids to watch this film as well. If that is not enough, the film straight lifts the job hunt part from Imtiaz Ali’s 'Aahista Aahista', even without changing the insurance profession, keeping in line with the steady theme of unconvincing scenarios. Parineeti Chopra and Ranveer Singh in a scene from 'Kill Dil'.- Courtesy Photo Take Dev’s falling in love with Disha or Bhaiyya Ji singing an intense song asking Dev to come back before he even revolts, or Disha’s falling head over heels for Dev without any chemistry between the two - it is one face-palm moment after another.
– Publicity PhotoĮverything around the main plot is unconvincing. Bhaiyya Ji (Govinda) also behaves more like a possessive boyfriend of these guys than an underworld don, hence making the plot a love rhombus.Īli Zafar, Govinda and Ranveer Singh in a scene from 'Kill Dil'. At times, it borders on a love triangle: Tutu (Ali), Dev and Disha but where Tutu is in love with Dev and not Disha. KD is a love story between Dev (Ranveer) and Disha (Parineeti) in a backdrop of deadly hitmen. KD casts Govinda as a nasty gang leader who sings and dances more than your regular bar dancer and of course, Parineeti Chopra, a wannabe sexy, med-school dropout and criminal rehabilitator who drives a Porsche, talks like a goon, parties like Pitbull. If that doesn’t sound funny enough, there is Ranveer Singh as a softy who has cried more in the film than anyone else. To start with, it has Ali Zafar as a fearless gangster. Kill Dil (KD) is a perfect example of this. Some go to the extent of street-casting and ensemble a cast of 200 people, ala Anurag Kashyap’s Gangs of Wasseypur.Īnd then there are some who get everything wrong, even with just four lead characters. Casting teams all over the world are paid substantial amounts to find the best talent fitting the demand of the scripts.
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